Audio Specifications and Standards
From UA Libraries Digital Services Planning and Documentation
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* <u>masters</u>: .wav/WAVE at 24-bit/44.1khz | * <u>masters</u>: .wav/WAVE at 24-bit/44.1khz | ||
| − | **''note: [http://www.iasa-web.org/ | + | **''note: [http://www.iasa-web.org/tc04/key-digital-principles IASA TC-04] calls for a minimum sampling rate of 48kHz (preferably 96kHz) [http://www.jazzpoparkisto.net/audio/audio32.html]. We will discontinue use of 44.1kHz sampling rates pending confirmation of appropriate storage space as 24/48 vs 24/44.1 should yield only an 8% increase in space requirements.''- arora, 051309 |
**typically, 2s of silence is left or created at the beginning of each .wav, with 1s at the end. | **typically, 2s of silence is left or created at the beginning of each .wav, with 1s at the end. | ||
**RMS levels are typically set fairly low, to -25db | **RMS levels are typically set fairly low, to -25db | ||
Revision as of 14:19, 28 June 2010
Contents |
Introduction:
The following provides a brief overview of our standard audio specifications.
Technical Information:
Default File/Output Settings
- masters: .wav/WAVE at 24-bit/44.1khz
- note: IASA TC-04 calls for a minimum sampling rate of 48kHz (preferably 96kHz) [1]. We will discontinue use of 44.1kHz sampling rates pending confirmation of appropriate storage space as 24/48 vs 24/44.1 should yield only an 8% increase in space requirements.- arora, 051309
- typically, 2s of silence is left or created at the beginning of each .wav, with 1s at the end.
- RMS levels are typically set fairly low, to -25db
For information on derivatives, see For_Creating_Derivatives
Associated Hardware/Software
Resources and Links:
- Digitization and Preservation Standards
- TAPE (Training for Audiovisual Preservation in Europe). European Commission on Preservation and Access.
- Capturing Analog Sound for Digital Preservation: Report of a Roundtable Discussion of Best Practices for Tranferring Analog Discs and Tapes. (2006) Council on Library and Information Resources and Library of Congress.
- Sound Directions - project website, maintained by Indiana University Digital Library Program.
- Sound Directions: Best Practices for Audio Preservation. (2007) Casey, Mike & Bruce Gordon.
- Grammy foundation® Basic Methodology for Preservation, Conversion and Archiving Recorded Media. (revised 2008) Grammy Foundation, Santa Monica, CA.
- File Formats - from LOC Digital Preservation/Digital Formats site
- Wave
- see also Waveform Audio Reference - from Microsoft website
- Broadcast Wave
- FLAC (Free Losless Audio Codec)
- MP3 Audio Encoding
- Wave
- Audio Decision List
- (ADL)/AES31-3
- The AES31 Standard (2001) De Lancie, Philip.
- AES31--Eliminating the File Exchange Conundrum (2001) Lambert, Mel.
- Open Media Framework Interchange format (OMFI)
- Advanced Authoring Format (AAF)
- SimpleADL
- (ADL)/AES31-3
